Osmin's Rage
In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. He proposes that happy endings were a musical -- as opposed to a dramatic -- necessity for opera during this period and that Mozart's Idomeneo is properly enjoyed and judged only when listeners axe attuned to its seventeenth and eighteenth-century forebears.
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Produktdetails
- ISBN: 978-0-8014-8589-3
- EAN: 9780801485893
- Produktnummer: 1766030
- Verlag: Cornell Univ Pr
- Sprache: Englisch
- Erscheinungsjahr: 1999
- Seitenangabe: 336 S.
- Masse: H22.7 cm x B15.1 cm x D2.1 cm 463 g
- Auflage: 2. A.
- Gewicht: 463
- Sonstiges: Ab 18 J.
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