The Blue Room
Schnitzler described Reigen, his loose series of sexual sketches, as 'completely unprintable'. Using as much imaginative freedom in his turn as Ophuls did fifty years ago, and with just two actors playing all of the parts, Hare has created a fascinating landscape of dream and longing which seems both eternal and bang-up-to-date.
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Produktdetails
- ISBN: 978-0-571-19788-0
- EAN: 9780571197880
- Produktnummer: 15872710
- Verlag: Faber & Faber
- Sprache: Englisch
- Erscheinungsjahr: 1998
- Seitenangabe: 96 S.
- Masse: H19.7 cm x B12.8 cm x D0.8 cm 100 g
- Auflage: Main
- Gewicht: 100
- Sonstiges: General (US: Trade)
Über den Autor
David Hare's first full-length play was produced in 1970. Since then he has written over thirty stage plays and twenty-five screenplays for film and television. The plays include Plenty, Pravda (with Howard Brenton), The Secret Rapture, Racing Demon, Skylight, Amy's View, The Blue Room, Via Dolorosa, Stuff Happens, The Absence of War, The Judas Kiss, The Red Barn and The Moderate Soprano. For cinema, he has written The Hours, The Reader, Damage, Denial, Wetherby and The White Crow among others, while his television films include Licking Hitler, the Worricker Trilogy (Page Eight, Turks & Caicos, and Salting the Battlefield) and Collateral. In a millennial poll of the greatest plays of the twentieth century, five of the top hundred were his.
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