The Renegado
The Renegado is one of the most shamelessly entertaining plays of its age, fetching its inspiration from a number of works by Cervantes, based on his own experiences as a captive in Algiers. Introducing the eroticized captivity narrative to the English stage, Massinger's tragicomedy combines it with the long-popular romance motif of a Christian hero's conquest of an exotic princess. But even as it indulges in romantic fantasy, The Renegado engages with contentious issues of national and international politics, offering a provocative response to the sectarian feuds dividing England in the 1620s, while exploiting wider European fears of the exp…
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Produktdetails
Weitere Autoren: Neill, Michael (Hrsg.)
- ISBN: 978-1-4081-3900-4
- EAN: 9781408139004
- Produktnummer: 17007703
- Verlag: Bloomsbury UK
- Sprache: Englisch
- Erscheinungsjahr: 2014
- Seitenangabe: 272 S.
- Plattform: PDF
- Masse: 10'351 KB
- Abbildungen: 16 illustrations in introduction
Über den Autor
Philip Massinger was born in Salisbury in 1583, the son of a Wiltshire family (the surname is often spelled Messenger). His father was employed in the household of Henry Herbert, the Earl of Pembroke, at Wilton, his office being that of house-steward and agent to the Earl. Massinger was educated probably first at Salisbury grammar school, and afterwards at Oxford, which he left without a degree for reasons unknown. By 1613 he was writing plays for the theatre-manager Henslowe, to whom he applied for money when imprisoned with two fellow-dramatists Daborne and Field for debt. It is estimated that in some thirty years Massinger either wrote or had a hand in some 53 plays. His earliest collaborations and original plays were written for the King's Men, the company of which Shakespeare had been a member and a writer, playing at the Globe and Blackfriars theatres. John Fletcher had succeeded Shakespeare as the King's Men's principal dramatist, and it was Fletcher with whom Massinger chiefly collaborated, Fletcher from whom he learnt much of his dramatic art, and Fletcher whom he succeeded in 1626 (after a short period of writing for the Queen's Men, playing at the Cockpit, or, as it was called when rebuilt after a fire, the Phoenix). He died in 1640 and was buried in Fletcher's grave in Southwark Cathedral. Massinger's works include the romances The Duke of Milan (1620), The Great Duke of Florence (1627), and The Roman Actor (1626), the comedies The City Madam (1632) and The Guardian (1633), and the tragicomedies The Bondman (1623) and The Renegado (1624). He also collaborated on 11 plays with John Fletcher, and may possibly have had a hand in Shakespeare and Fletcher's Henry VIII and The Two Noble Kinsmen.
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