Vachel Lindsay
The Art of the Moving Picture
Buch
This early work, first published in 1915, is both expensive and hard to find in its first edition. Comprising a comprehensive and detailed look at all aspects of classifying and judging films of the era, The Art of the Moving Picture is thoroughly recommended for inclusion on the bookshelf of any film enthusiast or historian of the art. Its 297 pages contain a wealth of information and anecdote on a variety of cinematic themes written by the celebrated American Poet. Contents Include: An Outline Proposed as a Basis for Photoplay Criticism in America - The Point of View; The Photoplay of Action; The Intimate Photoplay; The Motion Picture of Fa…
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Beschreibung
This early work, first published in 1915, is both expensive and hard to find in its first edition. Comprising a comprehensive and detailed look at all aspects of classifying and judging films of the era, The Art of the Moving Picture is thoroughly recommended for inclusion on the bookshelf of any film enthusiast or historian of the art. Its 297 pages contain a wealth of information and anecdote on a variety of cinematic themes written by the celebrated American Poet. Contents Include: An Outline Proposed as a Basis for Photoplay Criticism in America - The Point of View; The Photoplay of Action; The Intimate Photoplay; The Motion Picture of Fairy Splendor; The Picture of Crown Splendor; The Picture of Patriotic Splendor; The Picture of Religious Splendor; Sculpture-in-Motion; Painting-in-Motion; Furniture, Trappings, and Inventions in Motion; Architecture-in-Motion; Thirty Differences between the Photoplays and the Stage; Hieroglyphics; More Peronal Speculations and Afterthoughts not Brought forward so Dogmatically - The Orchestra, Conversation, and the Censorship; The Substitute for the Saloon; California and America; Progress and Endowment; Architects as Crusaders; On Coming Forth by Day; The Prophet-Wizard; The Acceptable year of the Lord. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
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Produktdetails
- ISBN: 978-1-4455-0792-7
- EAN: 9781445507927
- Produktnummer: 8415650
- Verlag: Home Farm Books
- Sprache: Englisch
- Erscheinungsjahr: 2010
- Seitenangabe: 298 S.
- Masse: H21.6 cm x B14.0 cm x D1.7 cm 401 g
- Abbildungen: Paperback
- Gewicht: 401
Über den Autor
Nicholas Vachel Lindsay (1879 - 1931) was an American poet. He is considered a founder of modern singing poetry, as he referred to it, in which verses are meant to be sung or chanted. While in New York in 1905 Lindsay turned to poetry in earnest. He tried to sell his poems on the streets. Self-printing his poems, he began to barter a pamphlet titled Rhymes To Be Traded For Bread, which he traded for food as a self-perceived modern version of a medieval troubadour. From March to May, 1906, Lindsay traveled roughly 600 miles on foot from Jacksonville, Florida, to Kentucky, again trading his poetry for food and lodging. From April to May, 1908, Lindsay undertook another poetry-selling trek, walking from New York City to Hiram, Ohio. From May to September 1912 he traveled-again on foot-from Illinois to New Mexico, trading his poems for food and lodging. During this last trek, Lindsay composed his most famous poem, The Congo. Going through Kansas, he was supposedly so successful that he had to send money home to keep his pockets empty. On his return, Harriet Monroe published in Poetry magazine first his poem General William Booth Enters into Heaven in 1913 and then The Congo in 1914. At this point, Lindsay became very well known. Additionally, W.E.B. Du Bois hailed Lindsay's story The Golden-Faced People for its insights into racism.
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