The Myth of the Blood
The Genesis of Racialism
Written during the rule of National Socialism in Germany and the rise of the so-called Racial Laws in Fascist Italy, The Myth of the Blood offers a unique window into the historical origins of the racialist thought that so fatefully characterized an era. More than a study of history, however, The Myth of the Blood is a magisterial overview of the problem of human race itself, by one of the great thinkers of the past century, the traditionalist philosopher Julius Evola.This book traces the development of the concept of race from antiquity to contemporary times, proceeding through historical, mythical, scientific, and philosophical perspectives…
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Produktdetails
- ISBN: 978-1-912079-41-4
- EAN: 9781912079414
- Produktnummer: 27454508
- Verlag: Arktos Media Ltd
- Sprache: Englisch
- Erscheinungsjahr: 2018
- Seitenangabe: 240 S.
- Masse: H22.2 cm x B14.5 cm x D1.7 cm 471 g
- Abbildungen: HC gerader Rücken mit Schutzumschlag
- Gewicht: 471
Über den Autor
Julius Evola (1898-1974) has been one of the most misunderstood and controversial authors of the Twentieth century. Born in Rome, Evola began his pursuit of truth as a Dadaist painter and an Idealist philosopher, but quickly lost his taste for modernism and moved on to metaphysics, religion, and the occult. Encountering the work of René Guénon, who became a lifelong friend, Evola embraced his concept of the Primordial Tradition and his critique of the modern world. Believing that Tradition was an idea which should encompass the social as well as the spiritual world, Evola saw some hope for a remedy to the ills of modernity in Italian Fascism, although he never joined the Party, and his writings on the subject were frequently critical of its reality. After 1945, Evola remained aloof from politics, and attempted to define the most effective stance for an inhabitant of the modern age to adopt while still retaining something of traditional wisdom. In recent years, Evola's ideas have given rise to a new breed of spiritual seekers and anti-modernists.
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