Richard Glover
Being Time
Case Studies in Musical Temporality
Ebook (EPUB Format)
Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel and André O. Möller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporality. The authors compare their responses to features such as repetition, speed, durat…
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Beschreibung
Being Time invites a deep consideration of the personal experience of temporality in music, focusing on the perceptual role of the listener. Through individual case studies, this book centers on musical works that deal with time in radical ways. These include pieces by Morton Feldman, James Saunders, Chiyoko Szlavnics, Ryoji Ikeda, Toshiya Tsunoda, Laurie Spiegel and André O. Möller. Multiple perspectives are explored through a series of encounters, initially between an individual and a work, and subsequently with each author's varying experiences of temporality. The authors compare their responses to features such as repetition, speed, duration and scale from a perceptual standpoint, drawing in reflections on aspects such as musical memory and anticipation. The observations made in this book are accessible and relevant to readers who are interested in exploring issues of temporality from a broad range of disciplinary perspectives.
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Produktdetails
Weitere Autoren: Harrison, Bryn / Gottschalk, Jennie
- ISBN: 978-1-62892-701-6
- EAN: 9781628927016
- Produktnummer: 29572658
- Verlag: Bloomsbury Publishing Inc
- Sprache: Englisch
- Erscheinungsjahr: 2018
- Seitenangabe: 200 S.
- Plattform: EPUB
- Masse: 692 KB
- Auflage: 1. Auflage
Über den Autor
Richard Glover is a Reader in Music at the University of Wolverhampton, UK, and divides his time between composing, and writing and presenting on the perception, construction and notation of experimental musics. He has received many international performances of his music, and has recently published book chapters on Phill Niblock and technology in minimalism.
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