Feminist Film Theory and Pretty Woman
In Feminist Film Theory and Pretty Woman, Mari Ruti traces the development of feminist film theory from its foundational concepts such as the male gaze, female spectatorship, and the masquerade of femininity to 21st-century analyses of neoliberal capitalism, consumerism, postfeminism, and the revival of girly femininity as a cultural ideal. By interpreting Pretty Woman as a movie that defies easy categorization as either feminist or antifeminist, the book counters the all-too-common critical dismissal of romantic comedies as mindless drivel preoccupied with trivial feminine concerns such as love and shopping. The book's lucid presentation of…
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Produktdetails
- ISBN: 978-1-5013-1944-0
- EAN: 9781501319440
- Produktnummer: 29845742
- Verlag: Bloomsbury Publishing Inc
- Sprache: Englisch
- Erscheinungsjahr: 2016
- Seitenangabe: 216 S.
- Plattform: PDF
- Masse: 2'835 KB
- Auflage: 1. Auflage
Über den Autor
Mari Ruti (PhD, Harvard University) is Distinguished Professor of Critical Theory and of Gender and Sexuality Studies at the University of Toronto, Canada. She is the author of thirteen books: Reinventing the Soul: Posthumanist Theory and Psychic Life (2006); A World of Fragile Things: Psychoanalysis and the Art of Living (2009); The Summons of Love (2011); The Case for Falling in Love (2011); The Singularity of Being: Lacan and the Immortal Within (2012); The Call of Character (2013); Between Levinas and Lacan: Self, Other, Ethics (Bloomsbury, 2015); The Age of Scientific Sexism (Bloomsbury, 2015); Feminist Film Theory and Pretty Woman (Bloomsbury, 2016); The Ethics of Opting Out: Queer Theory's Defiant Subjects (2017); Penis Envy and Other Bad Feelings: The Emotional Costs of Everyday Life (2018); Distillations: Theory, Ethics, Affect (Bloomsbury, 2018); and Critical Theory Between Klein and Lacan: A Dialogue - with Amy Allen (Bloomsbury, 2019).
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