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Maggie (Hrsg.) Allison

Plaisirs de femmes

Women, Pleasure and Transgression in French Literature and Culture

Ebook (EPUB Format)

Feminist approaches to questions of women, pleasure and transgression have generally been premised on the assumption that women's pleasures are typically constrained - if not ignored, marginalized or forbidden - in patriarchal cultures. The naming, foregrounding and pursuit of women's pleasures can therefore be deemed potentially transgressive and linked to women's emancipation in other realms. The essays in this volume draw on a range of materials, from travel writing and the novel to film and stand-up comedy, addressing the specificity of French and Francophone approaches to women, pleasure and transgression across a range of historical con… Mehr

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Produktdetails


Weitere Autoren: Evans, Elliot (Hrsg.) / Tarr, Carrie (Hrsg.)
  • ISBN: 978-1-78874-385-3
  • EAN: 9781788743853
  • Produktnummer: 31962524
  • Verlag: Peter Lang
  • Sprache: Englisch
  • Erscheinungsjahr: 2019
  • Seitenangabe: 268 S.
  • Plattform: EPUB
  • Masse: 4'328 KB
  • Auflage: 1. Auflage

Über den Autor


Maggie Allison is Honorary Senior Research Fellow in Modern French Studies at the University of Bradford. Her research and publishing cover gender, media, sexual harassment legislation and the role and televisual representation of women in politics and broadcasting. She has co-edited a number of volumes drawn from the Women in French (UK) biennial conferences. Elliot Evans is Lecturer in Modern Languages at the University of Birmingham, researching feminist, queer and transgender theories. Publications include : Reading Feminist Archives in the Queer Writing of Paul B. Preciado for Paragraph (2018) and Queer Permeability: The Body in French Queer Thought from Wittig to Preciado (2019). Carrie Tarr, Emerita Professor of Film at Kingston University, has published extensively on ethnicity, gender and sexuality in French and Francophone cinema. Publications include Cinema and the Second Sex: Women's Filmmaking in France in the 1980s and 1990s (with B. Rollet, 2001), Reframing Difference: Beur and Banlieue Filmmaking in France (2005) and a guest edited issue of Studies in French Cinema on Women's Film-making in France 2000-2010 (2012).

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