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M. P. Shiel

The Last Miracle

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This volume contains Matthew Phipps Shiel's 1906 novel, The Last Miracle. This book is recommended for fans of supernatural and science fiction, and is a must-have for collectors of Shiel's work. Matthew Phipps Shiel (1865 - 1947) - also known as M. P. Shiel - was a seminal British writer best remembered for his supernatural and scientific romances. They were published as serials, novels, and as short stories. The Purple Cloud (1901) is his most famous and frequently reprinted novel. The chapters of this text include: My Visit to Swandale, The Wren, The Styrian, The Ritual, The Street Corner, The Death-Bed, The Bells, The Trail, The Meeting,… Mehr

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Produktdetails


  • ISBN: 978-1-4437-6129-1
  • EAN: 9781443761291
  • Produktnummer: 4249922
  • Verlag: Thonssen Press
  • Sprache: Englisch
  • Erscheinungsjahr: 2008
  • Seitenangabe: 328 S.
  • Masse: H21.6 cm x B14.0 cm x D1.9 cm 439 g
  • Abbildungen: Paperback
  • Gewicht: 439

Über den Autor


Matthew Phipps Shiell (1865 - 1947) - known as M. P. Shiel - was a prolific British writer of West Indian descent. His legal surname remained Shiell though he adopted the shorter version as a de facto pen name. He is remembered mostly for supernatural horror and scientific romances. His work was published as serials, novels and as short stories. The Purple Cloud (1901, revised 1929) remains his most famous and often reprinted novel. Around 1899-1900 Shiel conceived a loosely linked trilogy of novels which were described by David G. Hartwell in his introduction to the Gregg Press edition of The Purple Cloud as possibly the first future history series in science fiction. Each was linked by similar introductory frame purporting to show that the novels were visions of progressively more distant futures glimpsed by a clairvoyant in a trance. Notebook I of the series had been plotted at least by 1898, but would not see print until published as The Last Miracle (1906). Notebook II became The Lord of the Sea (1901), which was recognized by contemporary readers as a critique of private ownership of land based on the theories of Henry George.

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