Reenacting Shakespeare in the Shakespeare Aftermath
The Intermedial Turn and Turn to Embodiment
In the Shakespeare aftermath-where all things Shakespearean are available for reassembly and reenactment-experimental transactions with Shakespeare become consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices. Reenactment signifies here both an undoing and a redoing, above all a doing differently of what otherwise continues to be enacted as the same. Rooted in the modernist avant-garde, this revisionary approach to models of the past is advanced by theater artists and filmmakers whose number includes Romeo Castellucci, Annie Dorsen, Peter Greenaway, Tho…
Mehr
CHF 94.50
Preise inkl. MwSt. und Versandkosten (Portofrei ab CHF 40.00)
Versandkostenfrei
Produktdetails
- ISBN: 978-1-137-40482-4
- EAN: 9781137404824
- Produktnummer: 30469888
- Verlag: Palgrave Macmillan
- Sprache: Englisch
- Erscheinungsjahr: 2019
- Seitenangabe: 343 S.
- Plattform: PDF
- Masse: 5'576 KB
- Auflage: 1st ed. 2019
- Abbildungen: 1 schwarz-weiße und 26 farbige Abbildungen, Bibliographie
Über den Autor
Thomas Cartelli is Professor of English & Film Studies at Muhlenberg College, USA. He is author of Marlowe, Shakespeare, and the Economy of Theatrical Experience (1991), Repositioning Shakespeare (1999), and co-author (with Katherine Rowe) of New Wave Shakespeare on Screen (2007). He has also edited The Norton Critical Richard III (2009).
9 weitere Werke von Thomas Cartelli:
Bewertungen
Anmelden