Nervous Reactions

Addresses how Victorian receptions of Romanticism and Romantic writers were shaped by notions of nervousness.Nervous Reactions considers Victorian responses to Romanticism, particularly the way in which the Romantic period was frequently constructed in Victorian-era texts as a time of nervous or excitable authors (and readers) at odds with Victorian values of self-restraint, moderation, and stolidity. Represented in various ways-as a threat to social order, as a desirable freedom of feeling, as a pathological weakness that must be cured-this nervousness, both about and of the Romantics, is an important though as yet unaddressed concern in Victorian responses to Romantic texts. By attending to this nervousness, the essays in this volume offer a new consideration not only of the relationship between the Victorian and Romantic periods, but also of the ways in which our own responses to Romanticism have been mediated by this Victorian attention to Romantic excitability.Considering editions and biographies as well as literary and critical responses to Romantic writers, the volume addresses a variety of discursive modes and genres, and brings to light a number of authors not normally included in the longstanding category of Victorian Romanticism: on the Romantic side, not just Wordsworth, Keats, and P. B. Shelley but also Byron, S. T. Coleridge, Thomas De Quincey, Mary Shelley, and Mary Wollstonecraft; and on the Victorian side, not just Thomas Carlyle and the Brownings but also Sara Coleridge, George Eliot, Elizabeth Gaskell, Archibald Lampman, and J. S. Mill.>Joel Faflak is Assistant Professor of English at Wilfrid Laurier University. Julia M. Wright is Canada Research Chair in English at Wilfrid Laurier University. She is the author of Blake, Nationalism, and the Politics of Alienation, the editor of The Missionary: An Indian Tale, and the coeditor (with Tilottama Rajan) of Romanticism, History, and the Possibilities of Genre.