Acting Up
After writing a monologue on the subject of Israel and Palestine, David Hare forced himself to make his debut on the professional stage at the age of fifty-one. When his success at London's austere Royal Court theatre led to an invitation to appear in New York at a somewhat flashier Broadway venue, Hare was transformed from a shadowy playwright into an actor alone on the stage every night for ninety minutes.Hare's hilarious diary of his experience on both sides of the Atlantic tells of his difficulties in coming to terms with his frightening change of career, but also grapples with more serious questions about what the difference is between a…
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Produktdetails
- ISBN: 978-0-571-20135-8
- EAN: 9780571201358
- Produktnummer: 22007141
- Verlag: Farrar Strauss Giroux 3Pl
- Sprache: Englisch
- Erscheinungsjahr: 1999
- Seitenangabe: 288 S.
- Masse: H21.6 cm x B13.6 cm x D2.2 cm 308 g
- Gewicht: 308
Über den Autor
David Hare's first full-length play was produced in 1970. Since then he has written over thirty stage plays and twenty-five screenplays for film and television. The plays include Plenty, Pravda (with Howard Brenton), The Secret Rapture, Racing Demon, Skylight, Amy's View, The Blue Room, Via Dolorosa, Stuff Happens, The Absence of War, The Judas Kiss, The Red Barn and The Moderate Soprano. For cinema, he has written The Hours, The Reader, Damage, Denial, Wetherby and The White Crow among others, while his television films include Licking Hitler, the Worricker Trilogy (Page Eight, Turks & Caicos, and Salting the Battlefield) and Collateral. In a millennial poll of the greatest plays of the twentieth century, five of the top hundred were his.
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