Firestorm
American Film in the Age of Terrorism
Stephen Prince is the first scholar to trace the effect of 9/11 on the making of American film. From documentaries like Fahrenheit 9/11 (2004) to zombie flicks, from The Kingdom (2007) to Mike Nichols's Charlie Wilson's War (2007), Prince evaluates the extent to which filmmakers have exploited, explained, understood, or interpreted the attacks and their companions, Abu Ghraib and Guantanamo Bay. Prince begins with pre-9/11 depictions of terrorism (such as Alfred Hitchcock's Sabotage [1936]) and follows with studio and independent films that directly responded to 9/11. He considers documentary portraits and conspiracy films, as well as serial…
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Produktdetails
- ISBN: 978-0-231-14871-9
- EAN: 9780231148719
- Produktnummer: 4366219
- Verlag: Columbia University Press
- Sprache: Englisch
- Erscheinungsjahr: 2009
- Seitenangabe: 400 S.
- Masse: H22.6 cm x B15.4 cm x D2.0 cm 500 g
- Abbildungen: 30 illus.
- Gewicht: 500
- Sonstiges: Tertiary Education (US: College)
Über den Autor
Stephen Prince is a professor of cinema at Virginia Tech, teaching film history, criticism, and theory. He is the author of numerous books, including Classical Film Violence, Movies and Meaning: An Introduction to Film, The Warrior's Camera: The Cinema of Akira Kurosawa, and Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies.
34 weitere Werke von Stephen Prince:
Movies and Meaning: Pearson New International Edition
American Film in the Age of Terrorism
American Film in the Age of Terrorism
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