Radio as Art

Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission. They have brought forth a great number of artistic practices. Up to and into the digital present radio has been - and still is - employed and explored as an apparatus-based structure as well as an (alternative) model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio. It also sheds light on the use of radio as a means of disseminating artistic concepts, and on questions of mediation of this art form.Anne Thurmann-Jajes (Dr. phil.) is director of the Centre for Artists' Publications / Weserburg and teaches at the University of Bremen, Germany.Ursula Frohne (Prof. Dr. phil.) is Professor for History of Art at the University of Münster, Germany.Jee-Hae Kim (M.A.) is research associate at the Institute for Art History at the University of Cologne, Germany.Maria Peters (Prof. Dr. phil.) is Professor for Art Education at the University of Bremen, Germany.Franziska Rauh (M.A.) is research associate at the Centre for Artists' Publications / Weserburg, Bremen, Germany.Sarah Rothe (Dr. phil.) is an art historian and art mediator. From 2011 to 2017 she worked as a research associate at the Institute for Art History - Film Studies - Art Education at the University of Bremen. Currently she works at the Staatliche Museen zu Berlin - Stiftung Preußischer Kulturbesitz.