Charles Brasch Journals 1958-1973

This third and final volume of Charles Braschs compelling private journals covers the years from when he was 48 to his death at 64. By the 1960s, Brasch, though very private by temperament, was a reluctant public figure, especially as editor of Landfall indisputably New Zealands leading cultural quarterly (he eventually quit as editor after 20 years). He was also becoming a highly regarded poet, who eventually had six books (one posthumous) to his name. Behind the scenes Brasch was increasingly important as an art collector and as patron and benefactor; the Burns, Hodgkins and Mozart Fellowships for writers, artists and composers respectively which he helped anonymously to found and fund, all began in this period. Among his friends Brasch counted most of the countrys leading artists, writers and intellectuals including Sargeson, McCahon, McCormick, Stead, the Pauls, the Woollastons, the Baxters, Lilburn, Beaglehole, Angus, Oliver, Bensemann, Lusk, Frame and Dallas. These near contemporaries were joined by the talented young, many met as contributors to Landfall including Gee, Cross, Shadbolt, Duggan, OSullivan, Hotere, Tuwhare, Caselberg, Middleton and Manhire. Braschs lively and sometimes acerbic accounts of such people are a fascinating aspect of his journals. Behind the esteemed poet, editor and public intellectual, however, was a sensitive and often angst-ridden man, who confided to his journals (and poems) the emotional roller- coaster of his private life, especially his endlessly frustrated search for love. Presented here are deep attachments to both men and women, including Andrew Packard (a visiting English zoologist) and Margaret Scott, widow of Harry Scott with whom Brasch had also been in love. Late in life his strong involvement with an elderly Jewish émigrée, Moli Zimmerman, adds another surprising layer to the complex and lovable man his journals reveal. Braschs journals will change forever the perception and understanding of an outstanding New Zealander and of the era to which he contributed so much.