Contemporary Musical Film
Contemporary Musical FilmEdited by K.J. Donnelly and Beth CarrollSince the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino's Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like…
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Produktdetails
Weitere Autoren: Carroll, Beth (Hrsg.)
- ISBN: 978-1-4744-1312-1
- EAN: 9781474413121
- Produktnummer: 22643830
- Verlag: Edinburgh Univ Pr
- Sprache: Englisch
- Erscheinungsjahr: 2017
- Seitenangabe: 208 S.
- Masse: H23.9 cm x B15.7 cm x D2.0 cm 454 g
- Gewicht: 454
Über den Autor
K. J. Donnelly is a Reader in Film Studies at the University of Southampton. He is the author of Magical Musical Tour: Rock and Pop in Film Soundtracks (2015), Occult Aesthetics: Sound and Image Synchronization (2012), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); as well as editing five books concerning music and different forms of audiovisual media.Beth Carroll is a Lecturer in Film at the University of Southampton. Her research interests include space, musicals, music, gestalt theory, haptics, disgust and video games. She has recently published a chapter on the Pet Shop Boys in Today's Sounds for Yesterday's Films: Making Music for Silent Cinema (2016). Her monograph, Feeling Film: A Spatial Approach (2016), explores a spatial methodology for the reading of films.
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