Andrew Duncan
On the Margins of Great Empires
Selected Poems
Buch
For the last 30 years, Andrew Duncan has patiently traced alternative wavelengths, to and from the unevocable, irreconcilable and the impossible.-Kevin NolanSeeing this sequence as a large, articulated work, put into its sections and with the culminations of a sustained amplitude, I esteem its achievement very highly. It is strong and active with the questions of power which underlie the strength; the instrumentalism of language is put under sustained pressure, both of invention and expression, and the outcome Is negotiated closely across a wide range of historical predicament and moral passion. The method is conspicuously unoriginal, but its…
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For the last 30 years, Andrew Duncan has patiently traced alternative wavelengths, to and from the unevocable, irreconcilable and the impossible.-Kevin NolanSeeing this sequence as a large, articulated work, put into its sections and with the culminations of a sustained amplitude, I esteem its achievement very highly. It is strong and active with the questions of power which underlie the strength; the instrumentalism of language is put under sustained pressure, both of invention and expression, and the outcome Is negotiated closely across a wide range of historical predicament and moral passion. The method is conspicuously unoriginal, but its uses are strikingly productive and grand. - J.H. Prynne, on Threads of Iron… this letter is really about one thing, namely Andrew Duncan's Skeleton looking at Chinese Pictures, which I have been reading at intervals now for some time. I think that certainly it is a remarkable book and I also recognize that I must inhabit a shamefully restricted part of the literary world for me not to have encountered his poetry before this[.] …What I admire most in Duncan's work is his willingness (indeed enthusiasm) for not confining things to any sort of ghetto. He likes as much history and mediaevalism as Pound but he also aspires to a contemporary concern for life in our modern mercantile mess. His chief fault, it seems to me, is a sort of verbal vertigo: too many words spin round and round[.] It's excellent the way he refuses to be cowed by any sort of notion of appropriateness or decorum, so that runic and traditional poetics mix with the city of London and sexual turpitude in modern life. […] There are many properly 'big' poems-something which doesn't get attempted sufficiently these days, presumably because it gives hostages to fortune.If I say that I am reminded at times of Peter Redgrove, Lawrence Durrell, and even David Jones, with a touch of a more unbuttoned Geoffrey Hill, I am not implying any kind of influence ... It is certainly a rich book and now that I have marinaded my mind in it, I expect to return to individual poems with greater pleasure and understanding. -Peter Porter, from a letter.
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Produktdetails
- ISBN: 978-1-84861-598-4
- EAN: 9781848615984
- Produktnummer: 27559249
- Verlag: Shearsman Books
- Sprache: Englisch
- Erscheinungsjahr: 2018
- Seitenangabe: 132 S.
- Masse: H22.9 cm x B15.2 cm x D0.7 cm 203 g
- Abbildungen: Paperback
- Gewicht: 203
Über den Autor
Andrew Duncan was born in 1956 and brought up in the Midlands. He worked as a labourer (in England and Germany) after leaving school, and subsequently as a project planner with a telecoms manufacturer (1978-87), and as a programmer for the Stock Exchange (1988-91). He now works in the Civil Service and is based in Nottingham.
52 weitere Werke von Andrew Duncan:
Selected Poems
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