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D. H. Lawrence

The Collected Supernatural and Weird Fiction of D. H. Lawrence-Three Novelettes-'Glad Ghosts, ' 'The Man Who Died, ' 'The Border Line'-And Five Short

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Eight tales of unease from one of the finest English writers of the 20th centuryD. H. Lawrence wrote a large body of work as an author, poet, playwright, essayist and literary critic. His most famous (perhaps infamous) work was 'Lady Chatterley's Lover' and among his other highly regarded novels are 'Women in Love,' 'Sons and Lovers,' 'The Rainbow' and 'The Plumed Serpent.' Lawrence's focus on human sexuality may have brought about a scandal and an undeserved reputation as a pornographer, but nevertheless upon his death E. M. Forster referred to him as 'the greatest imaginative novelist of our generation.' Lawrence's huge capacity for writing… Mehr

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Produktdetails


  • ISBN: 978-1-84677-844-5
  • EAN: 9781846778445
  • Produktnummer: 5062807
  • Verlag: Leonaur
  • Sprache: Englisch
  • Erscheinungsjahr: 2009
  • Seitenangabe: 252 S.
  • Masse: H22.2 cm x B14.5 cm x D1.8 cm 487 g
  • Abbildungen: HC gerader Rücken mit Schutzumschlag
  • Gewicht: 487

Über den Autor


David Herbert Richards D. H. Lawrence (1885 - 1930) was an English novelist, poet, playwright, essayist, literary critic and painter. His collected works represent, among other things, an extended reflection upon the dehumanizing effects of modernity and industrialization. Some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his savage pilgrimage. At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, The greatest imaginative novelist of our generation. Later, the Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical great tradition of the English novel.

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