Critical Race Theory and Copyright in American Dance
Whiteness as Status Property
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.
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Produktdetails
- ISBN: 978-1-137-32197-8
- EAN: 9781137321978
- Produktnummer: 17023498
- Verlag: Palgrave Macmillan
- Sprache: Englisch
- Erscheinungsjahr: 2013
- Seitenangabe: 256 S.
- Plattform: PDF
- Masse: 5'808 KB
Über den Autor
Caroline Joan (Kay) S. Picart, formerly a tenured associate professor of English and Humanities at Florida State University, is a joint Juris Doctor-MA Candidate (WST) at the University of Florida Levin College of Law and an adjunct professor of Humanities at Santa Fe College.
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