The Sonic Self: Musical Subjectivity and Signification
Semioticians began by looking at literature but have gradually appliedtheir techniques to other disciplines, including music. The late Naomi Cumming...based this consideration of the sources of musical expression on her experiences asa performer -- with interesting, if rarely surprising, results. --ChoiceUsing classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only ofthe work, but of the performer as well -- and how the listener goes aboutinterpreting not only the composer's work and the performer's rendering of the work, but also of the performer's and listener's id…
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Produktdetails
- ISBN: 978-0-253-33754-2
- EAN: 9780253337542
- Produktnummer: 1151264
- Verlag: Indiana Univ Pr
- Sprache: Englisch
- Erscheinungsjahr: 2001
- Seitenangabe: 392 S.
- Masse: H24.3 cm x B16.4 cm x D3.0 cm 862 g
- Auflage: Indiana Univ PR
- Gewicht: 862
- Sonstiges: Ab 22 J.
Über den Autor
Naomi Cumming was a fine violinist and music theorist. She published a host of journal articles and lectured internationally on the philosophy, psychology, and semiotics of music; her article on musical semiotics will appear in the Revised New Grove Dictionary of Music and Musicians. She was a Fulbright fellow at Columbia University, a research fellow in music theory at the Department of Philosophy of the University of Melbourne, and recipient of an award from the Society for Music Theory in 1998.
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