The Modern Invention of Medieval Music
Scholarship, Ideology, Performance
Medieval music has been made and remade over the past two hundred years. For the nineteenth century it was vocal, without instrumental accompaniment, but with barbarous harmony that no one could have wished to hear. For most of the twentieth century it was instrumentally accompanied, increasingly colourful and increasingly enjoyed. At the height of its popularity it sustained an industry of players and instrument makers, all engaged in recreating an apparently medieval performance practice. During the 1980s it became vocal once more, exchanging colour and contrast for cleanliness and beauty. But what happens to produce such radical changes of…
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Produktdetails
Weitere Autoren: Daniel, Leech-Wilkinson
- ISBN: 978-0-521-03704-4
- EAN: 9780521037044
- Produktnummer: 2975413
- Verlag: Cambridge University Press
- Sprache: Englisch
- Erscheinungsjahr: 2007
- Seitenangabe: 348 S.
- Masse: H22.9 cm x B15.2 cm x D2.0 cm 535 g
- Abbildungen: Paperback
- Gewicht: 535
Über den Autor
Daniel Leech-Wilkinson is a writer and broadcaster on medieval music. He is Reader in Historical Musicology at King's College, London and his previous books include studies and editions of the fourteenth-century poet and composer Guillaume de Machaut.
6 weitere Werke von Daniel Leech-Wilkinson:
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