Lauren (Hrsg.) Istvandity

Remembering Popular Musics Past

Memory-Heritage-History

Ebook (EPUB Format)

Remembering Popular Music's Past capitalizes on the growing interest, globally, in the preservation of popular music's material past and on scholarly explorations of the ways in which popular music, as heritage, is produced, legitimized and conferred cultural and historical significance. The chapters in this collection consider the spaces, practices and representations that constitute popular music heritage to elucidate how popular music's past is lived in the present. Thus the focus is on the transformation of popular music into heritage, and the role of history and memory in this process. The cultural studies framework adopted in Rememberin… Mehr

CHF 48.35

Preise inkl. MwSt. und Versandkosten (Portofrei ab CHF 40.00)

Versandfertig innerhalb 1-3 Werktagen
Versandkostenfrei

Produktdetails

Weitere Autoren: Baker, Sarah (Hrsg.) / Cantillon, Zelmarie (Hrsg.)

ISBN: 978-1-78308-971-0
EAN: 9781783089710
Produktnummer: 31785194
Verlag: Anthem Press
Sprache: Englisch
Erscheinungsjahr: 2019
Seitenangabe: 254 S.
Plattform: EPUB
Masse: 2'080 KB
Auflage: 1. Auflage

Über den Autor

Lauren Istvandity is a postdoctoral research fellow at the Queensland Conservatorium Research Centre at Griffith University, Australia. Her most recent research spans jazz music heritage, archives and museums, and personal memory. Istvandity is the author of The Lifetime Soundtrack: Music and Autobiographical Memory (2019), co-author of Curating Pop: Exhibiting Popular Music in the Museum (2019), and co-editor of The Routledge Companion to Popular Music History and Heritage (2018). Sarah Baker is professor of cultural sociology at Griffith University, Australia. Her current research explores the community heritage sector and the preservation and curation of popular music in museums, archives and halls of fame. Baker is the author of Community Custodians of Popular Music's Past: A DIY Approach to Heritage (2017); co-author of Curating Pop: Exhibiting Popular Music in the Museum (2019) and Creative Labour: Media Work in Three Cultural Industries (2011); editor of Popular Music Heritage: Do-It-Yourself, Do-It-Together (2015); and co-editor of The Routledge Companion to Popular Music History and Heritage (2018), Youth Cultures and Subcultures: Australian Perspectives (2015) and Redefining Mainstream Popular Music (2013). Zelmarie Cantillon is a postdoctoral research fellow in the Griffith Centre for Social and Cultural Research at Griffith University, Australia. Her current research focuses on the intersections between urban identity, heritage and popular culture. Cantillon is the author of Resort Spatiality: Reimagining Sites of Mass Tourism (2019) and co-editor of The Routledge Companion to Popular Music History and Heritage (2018).