Decomposition
Post-Disciplinary Performance
The fluid nature of performance studies and the widening embrace of theidea of performativity has produced in Decomposition: Post-Disciplinary Performancea collection of great interest that crosses disciplinary lines of academic work. Theessays move from the local to the global, from history to sport, from body parts tostage productions, and from race relations to global politics.
CHF 35.50
Preise inkl. MwSt. und Versandkosten (Portofrei ab CHF 40.00)
V104:
Folgt in ca. 10 Arbeitstagen
Produktdetails
Weitere Autoren: Brett, Philip (Hrsg.) / Foster, Susan Leigh (Hrsg.)
- ISBN: 978-0-253-21374-7
- EAN: 9780253213747
- Produktnummer: 1712858
- Verlag: Indiana University Press
- Sprache: Englisch
- Erscheinungsjahr: 2000
- Seitenangabe: 232 S.
- Masse: H15.8 cm x B23.5 cm x D1.1 cm 382 g
- Abbildungen: 30 b&w photos, 1 figures, 1 index
- Gewicht: 382
- Sonstiges: Professional & Vocational
Über den Autor
1) Sue-Ellen Case is Chair of the Department of Theatre and Dance at the University of California, Davis. She has authored and edited several books in the field of feminism and performance studies, including Feminism & Theatre; the Domain-Matrix: Performing Lesbian at the End of Print Culture; and Performing Feminisms.2) Philip Brett is Distinguished Professor of Music at the University of California, Riverside. A leader in gay studies in musicology, he is co-editor of Queering the Pitch: The New Gay and Lesbian Musicology, and he has written extensively on the music of Benjamin Britten.3) Susan Leigh Foster, choreographer, dancer, writer, is Professor of Dance at the University of California campuses of Riverside and Davis. She is author of Reading Dancing and Choreography and Narrative and editor of Choreographing History and Corporealities.
5 weitere Werke von Sue-Ellen (Hrsg.) Case:
Bewertungen
Anmelden