The Philosophy of Film Noir
From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existential…
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Produktdetails
Weitere Autoren: Conard, Mark T. (Hrsg.)
- ISBN: 978-0-8131-9181-2
- EAN: 9780813191812
- Produktnummer: 2946353
- Verlag: Univ Pr Of Kentucky
- Sprache: Englisch
- Erscheinungsjahr: 2005
- Seitenangabe: 248 S.
- Masse: H22.9 cm x B15.2 cm x D1.5 cm 414 g
- Gewicht: 414
Über den Autor
Mark T. Conard, assistant professor of philosophy at Marymount Manhattan College in New York City, is the editor of many books, including The Philosophy of Neo-Noir and The Philosophy of Martin Scorsese.
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