Auli Gellii Noctes Atticae, Vol. 4 (Classic Reprint)

Excerpt from Auli Gellii Noctes Atticæ, Vol. 4Cap. 1. Qui un Chirico.] Cicero de Divinnt. Lib. U. (¿uidei non e: nrtir,' inqnit, ned e& generi: voce bnlo nominati, dinturnn obeerrntioll. Idernn, ecientinrn potentur e¿'eciue, nt pmdici pos-et, quid caique even tnrnrn, et quo quilque feto nnttu met.' Hi sant, -q vulgo Antro logos,' et Jedicinrioe,' eoruma unum profeaionem Astrologinrn' hm...uàv, rive Judicinrinm np pdlnmur. Angnntino lib. Tv. Cap. 1. 4. Ei 7. Confeu. 'pinnetnrii' dicnn tnt. Olin etien vulgo. Mele, Me lllemntici,' genenli ninni: et ipele minime convenienti nomine, dicti. Norte: capre lib. Cup. 9. Valpe nntem, quo: gentiiitio vocnbnlo Chel daoe dicere oportui, Methernnticoo dici:! D. Augustine lib. I:. De Doc trine Chrint. Cup. 21. Qui Genet]: lincl propter dierum natnlium comi derntionee, nunc nutern vulgo Mathe mntici vocnnlnr.' Quo nomine nt mngia epecioeo et ipei 0lieli un jnctnrnnl, nt testnlnr Sent. Fupiri cne lib v. Ndvers. Mnthemnt. Ubi nit ee iato libro rcriptnrnm, non ed venne Aluonominm, fpòs donmeas xovpoîvre: el XMM, ...nn mi 'anpem wr aprir abroòr brryoprhww, Sed ndverone genenloginm, quem Chel dei megnificin cruenta: nominibne, eeipeoe Mathemtime nppellnnt et Astrologa.' Hina etinm in Cod. Theod. Et Jnstinien. Tit. De Meled cia et Mnthemnticin; et lnpp. In v. Ed omnes. Embignitntem vitnndnn Chaldt0l' et Methemntkoe' con. Jnngnnt. Et omnern divinendi enrico amen im lege perpetuo oilerc ju.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.