Kakuzo Okakura
IDEALS OF THE EAST
The Spirit of Japanese Art
Buch
This classic primer on Japanese art and esthetics-written by a cofounder of the Tokyo Fine Art School and one of the great 19th-century experts on Asian art and archaeology-approaches the subject from a philosphical perspective, exploring the spirit and the spirituality behind the notable eras of Asian music, painting, architecture, textiles, and other realms of artistic expression. Why did the Japanese character refuse to embrace abstract art? How did religious frenzy in the Middle Ages influence live entertainment? How does Zen impact the soul of an artist? Beautifully written and highly informative, this 1883 volume will enchant and enligh…
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Beschreibung
This classic primer on Japanese art and esthetics-written by a cofounder of the Tokyo Fine Art School and one of the great 19th-century experts on Asian art and archaeology-approaches the subject from a philosphical perspective, exploring the spirit and the spirituality behind the notable eras of Asian music, painting, architecture, textiles, and other realms of artistic expression. Why did the Japanese character refuse to embrace abstract art? How did religious frenzy in the Middle Ages influence live entertainment? How does Zen impact the soul of an artist? Beautifully written and highly informative, this 1883 volume will enchant and enlighten lovers of Japanese art.Japanese scholar and writer KAKUZO OKAKURA (1863-1913) helped spread interest in Asian art and culture to the Western world. He is also the author of The Book of Tea (1906).
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Produktdetails
- ISBN: 978-1-60206-073-9
- EAN: 9781602060739
- Produktnummer: 2878669
- Verlag: Cosimo Classics
- Sprache: Englisch
- Erscheinungsjahr: 2007
- Seitenangabe: 120 S.
- Masse: H21.6 cm x B14.0 cm x D0.6 cm 162 g
- Abbildungen: Paperback
- Gewicht: 162
Über den Autor
Kakuzo Okakura (1863-1913) communicated the culture of Japan to the West at a time when the country was opening up to Western influence and was in danger of losing its traditions. A national figure in the art world, he travelled to America, Europe, India and China, and in his later years became the head of the Asian art division at the Museum of Fine Arts in Boston.
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