The Cuckoo Clock by Mrs. Molesworth, Fiction, Historical
A small child and a cuckoo for a cuckoo clock become unlikely friends, when at night the clock transports her to magical places. Stopped! says Miss Tabitha, throwing up her hands. Impossible! I mean cuckoo has stopped, the girl says. The clock is going on, but the cuckoo isn't telling the hours. What can we do? says Miss Tabitha. Should we send for the watch-maker? But Miss Grizzel shakes her head, and says, That would be worse than useless, Tabitha. Were we to search the world over, we would find no one to put it right. Fifty years and more, that clock has never missed an hour! We are getting old, Tabitha -- and maybe our day is nearly over!
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Produktdetails
Weitere Autoren: Molesworth, Mary Louisa S.
- ISBN: 978-1-60664-103-3
- EAN: 9781606641033
- Produktnummer: 3864150
- Verlag: Aegypan
- Sprache: Englisch
- Erscheinungsjahr: 2008
- Seitenangabe: 112 S.
- Masse: H22.9 cm x B15.2 cm x D0.6 cm 175 g
- Abbildungen: Paperback
- Gewicht: 175
Über den Autor
Mary Louisa Molesworth, née Stewart (1839 - 1921) was an English writer of children's stories who wrote for children under the name of Mrs Molesworth. Her first novels, for adult readers, Lover and Husband (1869) to Cicely (1874), appeared under the pseudonym of Ennis Graham. Her name occasionally appears in print as M. L. S. Molesworth. She was born in Rotterdam, a daughter of Charles Augustus Stewart (1809-1873) who later became a rich merchant in Manchester and his wife Agnes Janet Wilson (1810-1883). Mary had three brothers and two sisters. She was educated in Great Britain and Switzerland: much of her girlhood was spent in Manchester. In 1861 she married Major R. Molesworth, nephew of Viscount Molesworth; they legally separated in 1879. Mrs Molesworth is best known as a writer of books for the young, such as Tell Me a Story (1875), Carrots (1876), The Cuckoo Clock (1877), The Tapestry Room (1879) and A Christmas Child (1880). She has been called the Jane Austen of the nursery, while The Carved Lions (1895) is probably her masterpiece. In the judgement of Roger Lancelyn Green: Mary Louisa Molesworth typified late Victorian writing for girls. Aimed at girls too old for fairies and princesses but too young for Austen and the Brontës, books by Molesworth had their share of amusement, but they also had a good deal of moral instruction. The girls reading Molesworth would grow up to be mothers; thus, the books emphasized Victorian notions of duty and self-sacrifice.
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