Jill Terry Rudy

Fairy-Tale TV

Ebook (EPUB Format)

This concise and accessible critical introduction examines the world of popular fairy-tale television, tracing how fairy tales and their social and cultural implications manifest within series, television events, anthologies, and episodes, and as freestanding motifs.Providing a model of televisual analysis, Rudy and Greenhill emphasize that fairy-tale longevity in general, and particularly on TV, results from malleability-morphing from extremely complex narratives to the simple quotation of a name (like Cinderella) or phrase (like happily ever after)-as well as its perennial value as a form that is good to think with. The global reach and pop… Mehr

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Produktdetails

Weitere Autoren: Greenhill, Pauline

ISBN: 978-1-00-009298-1
EAN: 9781000092981
Produktnummer: 33701567
Verlag: Taylor & Francis Ltd.
Sprache: Englisch
Erscheinungsjahr: 2020
Seitenangabe: 270 S.
Plattform: EPUB
Masse: 2'628 KB
Auflage: 1. Auflage
Abbildungen: 20 schwarz-weiße Abbildungen

Über den Autor

Jill Terry Rudy is Associate Professor of English at Brigham Young University, Provo, Utah, USA. She edited The Marrow of Human Experience: Essays on Folklore by William A. Wilson and co-edited Channeling Wonder: Fairy Tales on Television with Pauline Greenhill. The Routledge Companion to Media and Fairy-Tale Cultures, co-edited with Pauline Greenhill, Naomi Hamer, and Lauren Bosc, was published in 2018. She co-directs the digital humanities project Visualizing Wonder: Fairy Tales and Television. Pauline Greenhill is Professor of Women's and Gender Studies at the University of Winnipeg, Manitoba, Canada. Her fairy-tale-focused books (in addition to those with Jill Terry Rudy) include Transgressive Tales: Queering the Grimms (co-editor Kay Turner, 2012); and Fairy-Tale Films Beyond Disney: International Perspectives (co-editors Jack Zipes and Kendra Magnus-Johnston, 2016). She recently completed Clever Maids, Fearless Jacks, and a Cat: Fairy Tales from a Living Oral Tradition (with Anita Best and Martin Lovelace, 2019).