F. Marion Crawford
Casa Braccio - Part II
Buch
This volume contains the second part of Marion Crawford's 1894 novel, Casa Braccio. Full of forbidden love, passion, murder, vengeance, and dark secrets, this scandalous book will appeal to those with an interest in boundary-pushing literature. It would constitute a worthy addition to collections of similar works. Francis Marion Crawford (1854 - 1909) was an American author famous for his novels set in Italy, and for his strange and fantastic stories. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It come…
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Beschreibung
This volume contains the second part of Marion Crawford's 1894 novel, Casa Braccio. Full of forbidden love, passion, murder, vengeance, and dark secrets, this scandalous book will appeal to those with an interest in boundary-pushing literature. It would constitute a worthy addition to collections of similar works. Francis Marion Crawford (1854 - 1909) was an American author famous for his novels set in Italy, and for his strange and fantastic stories. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.
CHF 34.90
Preise inkl. MwSt. und Versandkosten (Portofrei ab CHF 40.00)
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Produktdetails
- ISBN: 978-1-4437-0324-6
- EAN: 9781443703246
- Produktnummer: 3955580
- Verlag: Lancour Press
- Sprache: Englisch
- Erscheinungsjahr: 2008
- Seitenangabe: 350 S.
- Masse: H21.6 cm x B14.0 cm x D2.0 cm 468 g
- Abbildungen: Paperback
- Gewicht: 468
Über den Autor
Francis Marion Crawford (1854 - 1909) was an American writer noted for his many novels, especially those set in Italy and for his classic weird and fantastic stories. H. Russell Wakefield, in an essay on ghost stories, called Crawford's The Upper Berth the very best one of such stories. Norman Douglas credits Crawford's financial success as instrumental in encouraging himself to write (though he remained critical of Crawford's habit of inserting first-person editorial comments into his fiction).
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