After-Affects - After-Images
Trauma and Aesthetic Transformation in the Virtual Feminist Museum
Do artists travel away from or towards trauma? Is trauma encrypted or inscribed in art? Or can aesthetic practices (after-images) bring about transformation of trauma, personal trauma or historical traumas? Can they do this in a way that does not imply cure or resolution of the traces (after-affects) of trauma? How do artists themselves process these traces as participants in and sensors for our life-worlds and histories, and how does the viewer, coming belatedly or from elsewhere, encounter works bearing such traces or seeking forms through which to touch and transform them?These are some of the questions posed by major feminist art historia…
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Produktdetails
- ISBN: 978-0-7190-8797-4
- EAN: 9780719087974
- Produktnummer: 23120308
- Verlag: MANCHESTER UNIVERSITY PRESS
- Sprache: Englisch
- Erscheinungsjahr: 2013
- Seitenangabe: 416 S.
- Masse: H23.7 cm x B16.3 cm x D2.9 cm 1'034 g
- Abbildungen: Halftones, black & white-Illustrations, colour
- Gewicht: 1034
- Sonstiges: Professional & Vocational
Über den Autor
Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds. Author and editor of over 25 books and numerous articles on postcolonial, international feminist and cultural studies in the visual arts and film. With Catherine de Zegher, she co-edited Bracha L Ettinger: Art as Compassion (2011) and with Max Silverman Concentrationary Cinema: Aesthetics as Resistance in Alain Resnais's Night and Fog (2011) and Concentrationary Memories (2013). She is also editor of Visual Politics and Psychoanalysis: Art and the Image in Post-traumatic Culture (2013). Her forthcoming work includes a monograph on Charlotte Salomon's Life? Or Theatre? and Art in the Time-Space of Memory and Migration: Sigmund Freud, Anna Freud Bracha Ettinger in the Freud Museum.
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