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Jo (Hrsg.) Carruthers

Anticipatory Materialisms in Literature and Philosophy, 1790-1930

Buch

Anticipatory Materialisms explores nineteenth and early twentieth-century literature thatanticipates and pre-empts the recent philosophical 'turn' to materiality and affect. Critical volumes that approach literature via the prism of New Materialism are in the ascendence. This collection stakes a different claim: by engaging with neglected theories of materiality in literary and philosophical works that antedate the twenty-first century 'turn' to New Materialism and theories of affect, the project aims to establish a dialogue between recent theoretical considerations of people-world relations in literature and that which has gone before. This… Mehr

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Produktdetails


Weitere Autoren: Dakkak, Nour (Hrsg.) / Spence, Rebecca (Hrsg.)
  • ISBN: 978-3-030-29816-6
  • EAN: 9783030298166
  • Produktnummer: 33476052
  • Verlag: Springer International Publishing
  • Sprache: Englisch
  • Erscheinungsjahr: 2020
  • Seitenangabe: 264 S.
  • Masse: H21.6 cm x B15.3 cm x D1.9 cm 458 g
  • Auflage: 1st ed. 2019
  • Abbildungen: HC runder Rücken kaschiert
  • Gewicht: 458

Über den Autor


Jo Carruthers has taught at the Universities of Manchester, Bristol and Lancaster and has published widely in the areas of literary studies, aesthetics, and religious and national identities. She has published two monographs, England's Secular Scripture: Islamophobia and the Protestant Aesthetic (2011), and Esther through the Centuries (2008), the edited collection (with Andrew Tate) Spiritual Identities: Literature and the Post-Secular Imagination (2011), and co-edited with Mark Knight and Andrew Tate Literature and the Bible: A Reader (2014). Nour Dakkak is a PhD candidate and associate lecturer in the Department of English and Creative Writing at Lancaster University. Her research examines human-world relationships in the works of E. M. Forster with a special interest in the representations of mobilities and materialities.Rebecca Spence is a PhD candidate and associate lecturer in the Department of English and Creative Writing at Lancaster University, funded by an AHRC NWCDTP +3 full-time award. Her research is driven by an interest in how nineteenth-century authors use auditory processes as both representational and experiential models for exploring the complexities of interpersonal communication in literary works.

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