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Andre Spicer

A Companion to Film Noir

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Ever since French commentators identified a new mode of American film-making as they watched Double Indemnity and Murder, My Sweet just after World War II ended, film noir has fascinated cineastes like no other genre. This authoritative companion features the work of a highly distinguished group of international scholars, adopting a thematic approach that examines key topics rather than focusing on individual titles or auteurs. It reflects the expanding purview of analysts by including novel subjects such as neo-noir, international noir movies from Europe, Asia, Latin America and Australasia, and 'noir' as expressed in other forms such as com… Mehr

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Produktdetails


Weitere Autoren: Hanson, Helen
  • ISBN: 978-1-4443-3627-6
  • EAN: 9781444336276
  • Produktnummer: 14717254
  • Verlag: John Wiley and Sons Ltd
  • Sprache: Englisch
  • Erscheinungsjahr: 2013
  • Seitenangabe: 542 S.
  • Masse: H24.8 cm x B18.5 cm x D2.9 cm 1'196 g
  • Gewicht: 1196
  • Sonstiges: Professional & Vocational

Über den Autor


Andrew Spicer is Reader in Cultural History at the University of the West of England, UK. His principal research interests lie in film and cultural history, including genre, stardom and constructions of masculinity, British cinema, and the role of producers and screenwriters in film-making. He has published widely on all these topics, including Typical Men (2003) and Sydney Box (2006), and three volumes on film noir: Film Noir (2002), European Film Noir (2007), and the Historical Dictionary of Film Noir (2010). He is currently co-editing a volume about film producers, and writing a study of Sean Connery.Helen Hanson is a Senior Lecturer in Film Studies at the University of Exeter, UK. Her research interests cover adaptation, gender and genre, film history, film style and technology, with a particular focus on the history of Hollywood. She has written articles and chapters on these topics, and has authored Hollywood Heroines: Film Noir and the Female Gothic Film (2007) and co-edited The Femme Fatale: Images, Histories, Contexts (2010). She also has a forthcoming book on the evolution of sound technology, sound craft and film style in Hollywood cinema from 1931-1950.

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