After-Affects - After-Images
Trauma and Aesthetic Transformation in the Virtual Feminist Museum
In closely-read case studies, we encounter artworks by Gian Lorenzo Bernini, Ana Mendieta, Louise Bourgeois, Alina Szapocznikow, Anna Maria Maiolino, Vera Frenkel, Sarah Kofman and Chantal Akerman to explore trauma and bereavement, fatal illness, Holocaust experience, migration, exile and the encounter with political horror and atrocity.
CHF 41.90
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Produktdetails
- ISBN: 978-0-7190-8798-1
- EAN: 9780719087981
- Produktnummer: 15239987
- Verlag: MANCHESTER UNIVERSITY PRESS
- Sprache: Englisch
- Erscheinungsjahr: 2013
- Seitenangabe: 416 S.
- Masse: H22.9 cm x B16.4 cm x D2.5 cm 954 g
- Abbildungen: Halftones, black & white-Illustrations, colour
- Gewicht: 954
- Sonstiges: Professional & Vocational
Über den Autor
Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the Centre for Cultural Analysis, Theory and History at the University of Leeds. Author and editor of over 25 books and numerous articles on postcolonial, international feminist and cultural studies in the visual arts and film. With Catherine de Zegher, she co-edited Bracha L Ettinger: Art as Compassion (2011) and with Max Silverman Concentrationary Cinema: Aesthetics as Resistance in Alain Resnais's Night and Fog (2011) and Concentrationary Memories (2013). She is also editor of Visual Politics and Psychoanalysis: Art and the Image in Post-traumatic Culture (2013). Her forthcoming work includes a monograph on Charlotte Salomon's Life? Or Theatre? and Art in the Time-Space of Memory and Migration: Sigmund Freud, Anna Freud Bracha Ettinger in the Freud Museum
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