The Hearing Eye: Jazz & Blues Influences in African American Visual Art
The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visualartists. There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes V:oltz…
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Produktdetails
Weitere Autoren: Murray, David (Hrsg.)
- ISBN: 978-0-19-534050-1
- EAN: 9780195340501
- Produktnummer: 22688609
- Verlag: OXFORD UNIV PR
- Sprache: Englisch
- Erscheinungsjahr: 2009
- Seitenangabe: 384 S.
- Masse: H25.7 cm x B20.6 cm x D2.8 cm 1'565 g
- Auflage: New
- Gewicht: 1565
Über den Autor
Graham Lock is a freelance writer and author of , Forces in Motion: Anthony Braxton and the Meta-reality of Creative Music (Quartet, 1988), Chasing the Vibration: Meetings with Creative Musicians (Stride, 1994), and Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington and Anthony Braxton (Duke, 1999), and editor, Mixtery: A Festschrift for Anthony Braxton (Stride, 1995). David Murray is Professor of American Studies, University of Nottingham, and author, Indian Giving: Economies of Power in Early Indian-White Exchanges (Massachusetts UP, 2000), Forked Tongues: Speech, Writing and Representation in North American Indian Texts (Indiana UP, 1992).
3 weitere Werke von Graham (Hrsg.) Lock:
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