G. K. Chesterton
Tremendous Trifles
Buch
Gilbert Keith Chesterton (1874-1936) was an English writer, philosopher, lay theologian, and literary and art critic. As an author he created the fictional priest-detective Father Brown, and produced several notable works on apologetics including Orthodoxy (1908) and The Everlasting Man (1925). He routinely referred to himself as an 'orthodox' Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. He was born in Kensington, educated at St Paul's School, and later attended the Slade School of Art, a department of University College London, to become an il…
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Gilbert Keith Chesterton (1874-1936) was an English writer, philosopher, lay theologian, and literary and art critic. As an author he created the fictional priest-detective Father Brown, and produced several notable works on apologetics including Orthodoxy (1908) and The Everlasting Man (1925). He routinely referred to himself as an 'orthodox' Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. He was born in Kensington, educated at St Paul's School, and later attended the Slade School of Art, a department of University College London, to become an illustrator. He also took classes in literature at UCL but did not complete a degree in either subject. His first positions were within publishing houses, during which time he also became a freelance art and literary critic, and in 1902 the Daily News gave him a weekly opinion column, followed in 1905 by a weekly column in the London Illustrated News for which he continued to write for the next 30 years. In 1901 he married Frances Blogg who played a large role in his career as amanuensis and personal manager. Throughout the course of his career Chesterton wrote around 80 books, several hundred poems, some 200 short stories, 4,000 essays, and several plays. His writings consistently displayed wit and a sense of humour, and he would often employ paradox while making serious comments on the world, politics, economics, philosophy, theology, and many other topics. Tremendous Trifles (1909) is a collection of 39 sketches that first appeared in the Daily News, to which Chesterton contributed from 1901-13. Besides the quinessential On Lying in Bed, the book includes The Advantages of Having One Leg, What I Found in My Pocket, A Piece of Chalk, and his incomparable explanation of juries, The Twelve Men. In this selection Chesterton looks at the ordinary, common things we encounter in day-to-day life and asks us to see how extraordinary and uncommon they are - the things in his pockets, the objects in a railway station, the people in the street. With these simple, random things he is able to defend Christianity, western civilisation and democracy. He does not write merely to amuse: he amuses to make a point. The idea that what at first appears to be a trifle is in fact tremendous is a theme that runs throughout Chesterton's work.
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Produktdetails
- ISBN: 978-1-4068-0319-8
- EAN: 9781406803198
- Produktnummer: 2539902
- Verlag: Echo Library
- Sprache: Englisch
- Erscheinungsjahr: 2006
- Seitenangabe: 124 S.
- Masse: H22.9 cm x B15.2 cm x D0.7 cm 192 g
- Abbildungen: Paperback
- Gewicht: 192
Über den Autor
Gilbert Keith Chesterton, (29 May 1874 - 14 June 1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the prince of paradox.Time magazine has observed of his writing style: Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out. Chesterton is well known for his fictional priest-detective Father Brown,[5] and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.[4][6] Chesterton routinely referred to himself as an orthodox Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his friendly enemy, said of him, He was a man of colossal genius.[4] Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin. Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton.[8][9] He was baptised at the age of one month into the Church of England,[10] though his family themselves were irregularly practising Unitarians.[11]According to his autobiography, as a young man Chesterton became fascinated with the occultand, along with his brother Cecil, experimented with Ouija boards. Chesterton was educated at St Paul's School, then attended the Slade School of Art to become an illustrator. The Slade is a department of University College London, where Chesterton also took classes in literature, but did not complete a degree in either subject.In September 1895 Chesterton began working for the London publisher Redway, where he remained for just over a year.[14] In October 1896 he moved to the publishing house T. Fisher Unwin,[14] where he remained until 1902. During this period he also undertook his first journalistic work, as a freelance art and literary critic. In 1902 the Daily News gave him a weekly opinion column, followed in 1905 by a weekly column in The Illustrated London News, for which he continued to write for the next thirty years.
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