The Politics and Poetics of Cinematic Realism
Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein and Pedro Almodóvar, by the New Objectivity and the New Hollywood, to demonstrate how cinema situates spectators within society.
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Produktdetails
Weitere Autoren: Hendrickson, Daniel (Übers.)
- ISBN: 978-0-231-17073-4
- EAN: 9780231170734
- Produktnummer: 17551338
- Verlag: Columbia University Press
- Sprache: Englisch
- Erscheinungsjahr: 2015
- Seitenangabe: 280 S.
- Masse: H23.0 cm x B15.3 cm x D1.4 cm 370 g
- Abbildungen: 40 b&w photographs
- Gewicht: 370
- Sonstiges: Professional & Vocational
Über den Autor
Hermann Kappelhoff is a professor in the Department for Film Studies at the Freie Universität Berlin. He is the author of Matrix der Gefühle: Das Kino, das Melodrama und das Theater der Empfindsamkeit, a major study on the cinematic melodrama as a paradigm of artificial emotions.
1 weiteres Werk von Hermann (Freie Universitat Berlin) Kappelhoff:
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