Rudolf Arnheim
Visual Thinking
Buch
Groundbreaking when first published in 1969, this book is now of even greater relevance to make the reader aware of the need to educate the visual sense, a matter so harmfully neglected in the present system.-Peter Selz, author of Nathan Oliveira Freud argued that a cogent thought process, to say nothing of conscious intellectual work, could not exist amidst the unruliness of visual experience. Over the last half century in a sequence of landmark books, Rudolf Arnheim has not only shown us how wrong that is, he has parsed the grammar of form with uncanny acuity and taught us how to read it. Few books continue to speak to the generations afte…
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Beschreibung
Groundbreaking when first published in 1969, this book is now of even greater relevance to make the reader aware of the need to educate the visual sense, a matter so harmfully neglected in the present system.-Peter Selz, author of Nathan Oliveira Freud argued that a cogent thought process, to say nothing of conscious intellectual work, could not exist amidst the unruliness of visual experience. Over the last half century in a sequence of landmark books, Rudolf Arnheim has not only shown us how wrong that is, he has parsed the grammar of form with uncanny acuity and taught us how to read it. Few books continue to speak to the generations after them; Visual Thinking is one of those rare exceptions.-Jonathan Fineberg, author of Art Since 1940
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Produktdetails
- ISBN: 978-0-520-24226-5
- EAN: 9780520242265
- Produktnummer: 8605450
- Verlag: University Presses
- Sprache: Englisch
- Erscheinungsjahr: 2004
- Seitenangabe: 352 S.
- Masse: H22.9 cm x B15.4 cm x D2.5 cm 510 g
- Auflage: 2. A.
- Abbildungen: Trade Paperback; 2 color illustrations, 12 b-w photographs, 68 line illustrations
- Gewicht: 510
Über den Autor
Rudolf Arnheim (July 15, 1904 – June 9, 2007) was an author, art and film theorist, and perceptual psychologist, as well as Professor Emeritus of the Psychology of Art at Harvard University. His books include Film as Art (California, 1957), Art and Visual Perception: A Psychology of the Creative Eye (California, 1974), The Dynamics of Architectural Form (California, 1977), and The Split and the Structure: Twenty-eight Essays (California, 1996).
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