Rumour and Radiation
Sound in Video Art
This is a book about video art, and about sound art. The thesis is that sound first entered the gallery via the video art of the 1960s and in so doing, created an unexpected noise. The early part of the book looks at this formative period and the key figures within it - then jumps to the mid-1990s, when video art has become such a major part of contemporary art production, it no longer seems an autonomous form. Paul Hegarty considers the work of a range of artists (including Steve McQueen, Christian Marclay, Ryan Trecartin, and Jane and Louise Wilson), proposing different theories according to the particular strategy of the artist under discu…
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Produktdetails
- ISBN: 978-1-62356-668-5
- EAN: 9781623566685
- Produktnummer: 29845538
- Verlag: Bloomsbury Publishing Inc
- Sprache: Englisch
- Erscheinungsjahr: 2014
- Seitenangabe: 216 S.
- Plattform: PDF
- Masse: 2'114 KB
- Abbildungen: 10 bw illus
Über den Autor
Paul Hegarty teaches Philosophy and Visual Culture at University of Nottingham, UK. He is the author of Noise/Music (Bloomsbury, 2007) and Co-Series Editor of the Ex:Centrics series with Bloomsbury. He jointly runs the experimental record label dotdotdotmusic, and performs in the noise bands Safe and La Société des Amis du Crime.
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