Art as the Absolute
Art's Relation to Metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer
Art as the Absolute is a literary and philosophical investigation into the meaning of art and its claims to truth. Exploring in particular the writings of Kant and those who followed after, including Fichte, Schelling, Hegel, Schopenhauer, and Nietzsche, Paul Gordon contends that art solves the problem of how one can know the absolute in non-conceptual, non-discursive terms.The idea of art's inherent relation to the absolute, first explicitly rendered by Kant, is examined in major works from 1790 to 1823. The first and last chapters, on Plato and Nietzsche respectively, deal with precursors and post-cursors of this idea. Gordon shows and seek…
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Produktdetails
- ISBN: 978-1-5013-0803-1
- EAN: 9781501308031
- Produktnummer: 29845700
- Verlag: Bloomsbury Publishing Inc
- Sprache: Englisch
- Erscheinungsjahr: 2015
- Seitenangabe: 208 S.
- Plattform: PDF
- Masse: 3'007 KB
- Auflage: 1. Auflage
Über den Autor
Paul Gordon is Professor of Comparative Literature and Humanities at the University of Colorado, Boulder, USA. He is the author of The Critical Double: Figurative Meaning in Aesthetic Discourse (1995), Tragedy After Nietzsche: Rapturous Superabundance (2001), and Dial 'M' for Mother: A Freudian Hitchcock (2008).
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