Critical Race Theory and Copyright in American Dance
Whiteness as Status Property
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.
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Produktdetails
- ISBN: 978-1-137-32196-1
- EAN: 9781137321961
- Produktnummer: 15338808
- Verlag: Palgrave Macmillan
- Sprache: Englisch
- Erscheinungsjahr: 2013
- Seitenangabe: 243 S.
- Masse: H22.2 cm x B13.8 cm x D1.9 cm 428 g
- Abbildungen: 6 Illustrations, black and white; XII, 243 p. 6 illus.
- Gewicht: 428
- Sonstiges: Professional & Vocational
Über den Autor
Caroline Joan S. Picart
11 weitere Werke von Caroline Joan S. Picart:
Critical Race Theory and Copyright in American Dance
Whiteness as Status Property
Whiteness as Status Property
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