Marsha (Hrsg.) Kinder

Transmedia Frictions

The Digital, the Arts, and the Humanities

Buch

As someone who attended and participated in the 1999 Interactive Fictions conference, which in many ways consolidated more than a decade of theorizing about and experimenting with digital media, I was uncertain what to expect from Transmedia Frictions. What I found was a rich collection that looks both backward to reconstruct the paths not taken in digital theory and forward to imagine alternative ways of framing issues of medium specificity, digital identities, embodiment, and space/place. This collection is sure to transform how we theorize-and teach-the next phases of our profound and prolonged moment of media transition.-Henry Jenkins, a… Mehr

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V212: Noch nicht erschienen, März 2021

Produktdetails

Weitere Autoren: McPherson, Tara (Hrsg.) / Hayles, N. Katherine (Beitr.) / Manovich, Lev (Beitr.) / Tsivian, Yuri (Beitr.) / Zimmermann, Patricia R. (Beitr.) / Weinbren, Grahame (Beitr.) / Bassett, Caroline (Beitr.) / Anderson, Steven F. (Beitr.) / Mamber, Stephen David (Beitr.) / Branigan, Edward Richard (Beitr.) / Hess, John (Beitr.) / Crane, David (Beitr.) / Hansen, Mark B.N. (Beitr.) / Willis, Holly (Beitr.) / Gomez Pena, Guillermo (Beitr.) / Lozano-Hemmer, Rafael (Beitr.) / Gray, Herman (Beitr.) / Gordon, Eric Jason (Beitr.) / Venegas, Cristina (Beitr.) / Caldwell, John (Beitr.)

ISBN: 978-0-520-38302-9
EAN: 9780520383029
Produktnummer: 34697683
Verlag: University Presses
Sprache: Englisch
Erscheinungsjahr: 2021
Seitenangabe: 414 S.
Masse: H25.4 cm x B17.8 cm x D3.0 cm 1'043 g
Abbildungen: 26 b-w images
Gewicht: 1043

Über den Autor

Marsha Kinder is Emerita University Professor at University of Southern California's School of Cinematic Arts, where she was the founding director of the Labyrinth Project. Her books include Playing with Power in Movies, Television, and Video Games and Blood Cinema: The Reconstruction of National Identity in Spain.Tara McPherson is Professor and the Hefner Endowed Chair of Censorship Studies in the University of Southern California's School of Cinematic Arts. She is author of Feminist in a Software Lab and Reconstructing Dixie, editor of Digital Youth, Innovation, and the Unexpected and coeditor of Hop on Pop: The Politics and Pleasures of Popular Culture.