The Poet's Curse
A Miscellany
A delightful miscellany of poems on a multitude of subjects in various forms and genres including: ancestral portraits, bestiary, commonplace, complaints, catalogs, concrete, dialog, dreams, ekphrastic, erotica, experimental, found poems, free verse, light poems, imagistic, list poems, lyrical, military, monolog, narrative, nostalgia, object poems, odes, pentastichs, persona poems, philias, phobias, philosophies, portraits, prose poems, romantic, satire, sonnets, stream-of-consciousness, triptychs, work . . .The Poet's Curse Everything the poet sees or hears, thinks, feels or imagines gets captured, interpret…
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Produktdetails
Weitere Autoren: Aveningo Sanders, Shawn (Hrsg.)
- ISBN: 978-1-948461-18-4
- EAN: 9781948461184
- Produktnummer: 30020637
- Verlag: The Poetry Box Select
- Sprache: Englisch
- Erscheinungsjahr: 2019
- Seitenangabe: 138 S.
- Masse: H22.9 cm x B15.2 cm x D0.7 cm 212 g
- Abbildungen: Paperback
- Gewicht: 212
Über den Autor
Educated first in the sciences, graduating into comparative literature and languages, Michael Estabrook is a recently retired baby boomer child-of-the-sixties poet freed finally after working 40 years for The Man and sometimes The Woman. No more useless meetings under florescent lights in stuffy stale windowless rooms. Instead, he is able to concentrate on making better poems and on pursuing other interests including: art, music, theatre, opera, history, genealogy, philosophy, and his wife, who has always been the most beautiful woman he has ever known. Since the late 1980s, Michael has published over 20 collections, including most recently: Bouncy House, edited by Larry Fagin (Green Zone Editions, 2014); Two Sides of the Same Coin, drawings by Wayne Hogan (little books press, 2016); It Is What It Is, with Phil Weidman, drawings by Wayne Hogan (little books press, 2018). Hopefully with each passing decade the poems have become more universal in nature: clear and concise, succinct and precise, more thought-provoking and relatable.
1 weiteres Werk von Michael Estabrook:
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