TRAFFICKING CULTURE
New Directions in Researching the Global Market in Illicit Antiquities
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Produktdetails
Weitere Autoren: Brodie, Neil / Yates, Donna / Tsirogiannis, Christos
- ISBN: 978-1-138-69249-7
- EAN: 9781138692497
- Produktnummer: 23939905
- Verlag: Taylor & Francis Ltd
- Sprache: Englisch
- Erscheinungsjahr: 2019
- Seitenangabe: 170 S.
- Masse: H15.5 cm x B23.3 cm x D0.9 cm 290 g
- Abbildungen: 1 Line drawings, black and white; 11 Halftones, black and white; 7 Tables, black and white; 12 Illustrations, black and white
- Gewicht: 290
- Sonstiges: Tertiary Education (US: College)
Über den Autor
Simon Mackenzie is Professor of Criminology at Victoria University of Wellington and Professor of Criminology, Law and Society in the Scottish Centre for Crime and Justice Research at the University of Glasgow, in the College of Social Sciences. He is author of Going, Going, Gone: Regulating the Market in Illicit Antiquities (2005) and co-editor of Criminology and Archaeology: Studies in Looted Antiquities (2009).Neil Brodie is a Senior Research Fellow on the Endangered Archaeology of the Middle East and North Africa (EAMENA) project at the University of Oxford. He co-edited?Archaeology, Cultural Heritage, and the Antiquities Trade (2006), Illicit Antiquities: The Theft of Culture and the Extinction of Archaeology (2002), and?Trade in Illicit Antiquities: The Destruction of the World's Archaeological Heritage (2001).Donna Yates is a Senior Lecturer in Antiquities Trafficking and Art Crime at the Scottish Centre for Crime and Justice Research at the University of Glasgow. She completed her PhD in Archaeology at the University of Cambridge, and is the lead educator for the University of Glasgow's Postgraduate Certification in Antiquities Trafficking and Art Crime.Christos Tsirogiannis is Associate Professor in the Faculty of Arts at the Museum of Ancient Art, University of Aarhus. He conducts multi-disciplinary research on international networks trafficking in illicit antiquities. Recent article topics have included museum ethics, market 'due diligence', and the evidential basis for repatriations, to which his identifications of illicit objects frequently lead.
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