Toija (Hrsg.) Cinque

Materializing Digital Futures

Touch, Movement, Sound and Vision

Ebook (PDF Format)

Digital, visual media are found in most aspects of everyday life, from workplaces to household devices - computer and digital television screens, appliances such as refrigerators and home assistants, and applications for social media and gaming. Each technologically enabled opportunity brings an increasingly sophisticated language with the act of pursuing the intrasensorial ways of perceiving the world around us - through touch, movement, sound and vision - that is the heart of screen media use and audience engagement with digital artifacts. Drawing on digital media's currently evolving transformation and transforming capacity this book build… Mehr

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V210: Noch nicht erschienen, Januar 2022

Produktdetails

Weitere Autoren: Beth Vincent, Jordan (Hrsg.)

ISBN: 978-1-5013-6127-2
EAN: 9781501361272
Produktnummer: 38188059
Verlag: Bloomsbury Publishing Inc
Sprache: Englisch
Erscheinungsjahr: 2022
Seitenangabe: 352 S.
Plattform: PDF
Abbildungen: 12 illus

Über den Autor

Toija Cinque is Associate Professor in Communication (Digital Media) in the School of Communication and Creative Arts at Deakin University, Australia. Published works include: Digital Media Ecologies (forthcoming), Changing Media Landscapes: Visual Networking (2015), Communication, Digital Media and Everyday Life, 2nd edition (2015) and New Media in Everyday Life (2012). Jordan Beth Vincent is Executive Manager and Head of Sales and Strategy for Fika Entertainment (www.fikaent.com). Jordan's interdisciplinary research profile bridges technology (including HCI/human-computer interfaces/motion capture), creative and performing arts. Her research collaborations in the creative industries (cultural labour, gender research) have included co-authoring industry reports for the Ontario Arts Council, the Department of Foreign Affairs and Trade, and VicHealth. Jordan is a Chief Investigator on the ARC Industrial Transformation Hub for Digital Enhanced Living.