Film Theory
An Introduction through the Senses
What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator's mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from 'exterior' to 'interior' relationships, the authors retrace the most important stages of film theory from its beginnings to the…
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Produktdetails
Weitere Autoren: Hagener, Malte
- ISBN: 978-1-138-82429-4
- EAN: 9781138824294
- Produktnummer: 17085014
- Verlag: Taylor and Francis
- Sprache: Englisch
- Erscheinungsjahr: 2015
- Seitenangabe: 238 S.
- Masse: H22.9 cm x B15.2 cm x D1.8 cm 620 g
- Auflage: 2. A.
- Abbildungen: Farb., s/w. Abb.
- Gewicht: 620
Über den Autor
Thomas Elsaesser is Professor Emeritus of Film and Television Studies at the University of Amsterdam and since 2012 Visiting Professor at Columbia University. His recent books include: Weimar Cinema and After (Routledge, 2000); Metropolis (BFI, 2000); Studying Contemporary American Film (Hodder, 2002, with Warren Buckland); European Cinema: Face to Face with Hollywood (Amsterdam University Press, 2005); The Persistence of Hollywood (Routledge, 2012); and German Cinema - Terror and Trauma (Routledge, 2013). Malte Hagener is Professor of media studies at Marburg University. He has written Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939 (Amsterdam University Press, 2008) and edited many volumes, including The Emergence of Film Culture (Berghahn, 2014).
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