F. Marion Crawford
Don Orsino
Buch
1891. With frontispiece. F. Marion Crawford was one of the more famous authors in the English-speaking world at the time of his death in 1909. He wrote over forty novels, most of which were in the style of disposable romances popular at the time. He also wrote stories of the horror and occult, which are generally the ones for which he is remembered today. Don Orsino begins: Don Orsino Saracinesca is of the younger age and lives in the younger Rome, with his father and mother, under the roof of the vast old palace which has sheltered so many hundreds of Saracinesca in peace and war, but which has rarely in the course of the centuries been the…
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Beschreibung
1891. With frontispiece. F. Marion Crawford was one of the more famous authors in the English-speaking world at the time of his death in 1909. He wrote over forty novels, most of which were in the style of disposable romances popular at the time. He also wrote stories of the horror and occult, which are generally the ones for which he is remembered today. Don Orsino begins: Don Orsino Saracinesca is of the younger age and lives in the younger Rome, with his father and mother, under the roof of the vast old palace which has sheltered so many hundreds of Saracinesca in peace and war, but which has rarely in the course of the centuries been the home of three generations at once during one and twenty years. See other titles by this author available from Kessinger Publishing.
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Produktdetails
Weitere Autoren: Crawford, Francis Marion
- ISBN: 978-1-4068-4926-4
- EAN: 9781406849264
- Produktnummer: 3533892
- Verlag: Echo Lib
- Sprache: Englisch
- Erscheinungsjahr: 2007
- Seitenangabe: 296 S.
- Masse: H22.9 cm x B15.2 cm x D1.7 cm 458 g
- Gewicht: 458
Über den Autor
Francis Marion Crawford (1854 - 1909) was an American writer noted for his many novels, especially those set in Italy and for his classic weird and fantastic stories. H. Russell Wakefield, in an essay on ghost stories, called Crawford's The Upper Berth the very best one of such stories. Norman Douglas credits Crawford's financial success as instrumental in encouraging himself to write (though he remained critical of Crawford's habit of inserting first-person editorial comments into his fiction).
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