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Natasha (Hrsg.) Lushetich

Distributed Perception

Resonances and Axiologies

Ebook (PDF Format)

Contributors to this book include key theorists and practitioners from media theory, Native Science, bio-media and sound art, philosophy, art history and design informatics. Collectively, they examine the becoming-technique of animal-human- machinic perceptibilities; and micro-perceptions that lie beneath the threshold of known perceptions yet create energetic vibrations.Who, what, and where perceives, and how? What are the sedimentations, inscriptions and axiologies of animal, human and machinic perceptions? What are their perceptibilities? Deleuze uses the word 'visibilities' to indicate that visual perception isn't just a physiological giv… Mehr

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Produktdetails


Weitere Autoren: Campbell, Iain (Hrsg.)
  • ISBN: 978-1-00-052166-5
  • EAN: 9781000521665
  • Produktnummer: 37118523
  • Verlag: Taylor & Francis Ltd.
  • Sprache: Englisch
  • Erscheinungsjahr: 2021
  • Seitenangabe: 304 S.
  • Plattform: PDF
  • Abbildungen: 23 schwarz-weiße Abbildungen, 19 schwarz-weiße Fotos, 4 schwarz-weiße Zeichnungen

Über den Autor


Natasha Lushetich is Professor of Contemporary Art and Theory at the University of Dundee and AHRC Fellow (2020 - 2021). Her research is interdisciplinary and focuses on intermedia; biopolitics and performativity; the status of sensory experience in cultural knowledge; hegemony and complexity. Her books include Fluxus: The Practice of Non-Duality (Rodopi 2014), Interdisciplinary Performance (Pagrave 2016), The Aesthetics of Necropolitics (Rowman and Littlefield 2018), Beyond Mind, a special issue of Symbolism (De Gruyter 2019) and Big Data - A New Medium? (Routledge 2020).Iain Campbell is an interdisciplinary researcher based in Edinburgh. He is Postdoctoral Rsearch Associate on the AHRC project The Future of Indeterminacy: Datification, Memory, Bio-Politics at the University of Dundee. He has written on topics across philosophy, music, sound studies, and art theory for publications including parallax, Deleuze and Guattari Studies, Sound Studies, and Contemporary Music Review. He is an associate member of the Scottish Centre for Continental Philosophy, and is part of the editorial board of Evental Aesthetics.

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