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Robert Wilsmore

Coproduction

Collaboration in Music Production

Ebook (PDF Format)

Coproduction is the first book dedicated specifically to the study of an emerging field in music production musicology. It explores the limits of what this field might be, from the workings of a few individuals producing music together in the studio, to vast contributions of whole societies producing popular music. Taking a wide-ranging approach to examining the field, Coproduction looks through multiple formats including essays, interviews and case studies, with analysis and commentary of coproduction experiences at Abbey Road studios. It does so by examining multiple disciplines from social science and coproduction in mental health, to phil… Mehr

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Produktdetails


Weitere Autoren: Johnson, Christopher
  • ISBN: 978-1-351-11194-2
  • EAN: 9781351111942
  • Produktnummer: 38069726
  • Verlag: Taylor & Francis Ltd.
  • Sprache: Englisch
  • Erscheinungsjahr: 2022
  • Seitenangabe: 240 S.
  • Plattform: PDF
  • Auflage: 1. Auflage
  • Abbildungen: 27 schwarz-weiße Abbildungen, 27 schwarz-weiße Fotos, 6 schwarz-weiße Tabellen

Über den Autor


Robert Wilsmore is a composer, producer, musicologist, academic and collaborator. He studied Music at Bath College of HE (now Bath Spa University) and was awarded Doctor of Musical Arts from Nottingham University in 1994 where he studied composition with Nicholas Sackman. He has led on nationwide research projects on collaboration and has written many articles and chapters on popular music and music production. In his time as an academic leader for more than 20 years, he has been Assistance Head of Music at Leeds College of Music (Leeds Conservatoire) and Head of the School of the Arts at York St John University.Christopher Johnson is a producer-songwriter and multi-instrumentalist who is perhaps best known in the progressive rock niche for his work with Mostly Autumn, Halo Blind and Fish. He has collaborated on more than 25 studio records, maintains a busy touring schedule, and is a Senior Lecturer on music production courses at York St John University. He is currently working on his PhD, which explores various models of collaboration in music production and how they affect the aesthetic of the resulting music.

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