Chinese Documentaries
From Dogma to Polyphony
In China, unlike in Western cinema, documentary film, rather than fiction film, has been the dominant mode since 1949. In recent years, documentary TV programmes have experienced a meteoric rise. Arguing that there is a gradual process of 'democratization' in the media, in which documentaries play a significant role, this book discusses various types of Chinese documentaries, under both the planned and the market economy. It especially explores the relationship between documentaries and society, showing how, under the market economy, although the government continues to use the genre as propaganda to promote its ideologies and policies, docum…
Mehr
CHF 190.00
Preise inkl. MwSt. und Versandkosten (Portofrei ab CHF 40.00)
V112:
Lieferbar in ca. 10-20 Arbeitstagen
Produktdetails
- ISBN: 978-0-415-37570-2
- EAN: 9780415375702
- Produktnummer: 2920329
- Verlag: Taylor and Francis
- Sprache: Englisch
- Erscheinungsjahr: 2007
- Seitenangabe: 272 S.
- Masse: H23.4 cm x B15.6 cm 660 g
- Abbildungen: Farb., s/w. Abb.
- Gewicht: 660
Über den Autor
Yingchi Chu is a Senior Lecturer in Media Studies at Murdoch University, Western Australia. She has published journals and book chapters on Chinese media, and is the author of Hong Kong Cinema: Coloniser, Motherland and Self (2003).
6 weitere Werke von Yingchi Chu:
Bewertungen
Anmelden