A Companion to British-Jewish Theatre Since the 1950s

Dr. Jeanette Malkin holds the chair of the Theatre Studies Department at the Hebrew University Jerusalem. She co-edited the book Jews and the Making of Modern German Theatre (2010) and is the author of Memory-Theatre and Postmodern Drama (1999) and Verbal Violence in Contemporary Drama: From Handke to Shepard (1992). She has received two major grants for her research from the Israel Science Foundation (ISF) for her project Triangulation: Jewish Cultural Markings in German and American Theatre (2005-2009); the second from the German Lower Saxony-Israel Joint Research Project funds (Niedersächsisches Vorab) of the Volkswagen Stiftung for the project Hyphenated Cultures: Contemporary British Jewish Theatre (2016-2019) in collaboration with Prof. Eckart Voigts (TU Braunschweig).Dr. Eckart Voigts is Professor of English Literature at TU Braunschweig, Germany. He has written, edited and co-edited numerous books and articles, such as Introduction to Media Studies (Klett 2004), Janespotting and Beyond: British Heritage Retrovisions since the Mid-1990s (Narr 2005), Adaptations - Performing Across Media and Genres (2009), Reflecting on Darwin (2014) and Dystopia, Science Fiction, Post-Apocalypse (2015), Companion to Adaptation Studies (co-edited with Dennis Cutchins and Katja Krebs). He is on the Board of the journals Adaptation, Adaptation inFilm and Performance, Anglistik and JESELL as well as the book series Transmedia (coedited by Matt Hills and Dan Hassler-Forest). Sarah J. Ablett has studied English literature, philosophy, and creative writing at the Universities of Hamburg, Manchester, Heidelberg, and Hildesheim, and completed her doctorate at TU Braunschweig. She has taught literary and cultural studies and was part of the research project Hyphenated Cultures: Contemporary British-Jewish Theatre funded by the VolkswagenStiftung. Her latest publication is a book on Dramatic Disgust. Aesthetic Theory and Practice from Sophocles to Sarah Kane (transcript, 2020).